Spot renk m\u00fcrekkep: Floresan sar\u0131, inci mavisi, metalik alt\u0131n ve g\u00fcm\u00fc\u015f m\u00fcrekkep gibi \u00f6nceden kar\u0131\u015ft\u0131r\u0131lm\u0131\u015f belirli bir renk m\u00fcrekkeptir. CMYK d\u00f6rt renkli \u00fcst bask\u0131ya dayanmaz ve \u00fcst bask\u0131 tam renk anlam\u0131na gelir.<\/p>\n
Spot renk m\u00fcrekkep kar\u0131\u015ft\u0131rma
\n1 M\u00fcrekkep kar\u0131\u015ft\u0131rma temeli
\n1\u3001Temel renkli m\u00fcrekkep<\/p>\n
Temel renkli m\u00fcrekkep, farkl\u0131 kar\u0131\u015ft\u0131rma y\u00f6ntemlerine g\u00f6re \u00fc\u00e7 kategoriye ayr\u0131l\u0131r: ana renkli m\u00fcrekkep, standart renkler aras\u0131 m\u00fcrekkep ve standart bile\u015fik renkli m\u00fcrekkep.<\/p>\n
Ana renk m\u00fcrekkep: sar\u0131, macenta, camg\u00f6be\u011fi m\u00fcrekkep gibi di\u011fer renklerle kar\u0131\u015ft\u0131r\u0131lamayan \u00fc\u00e7 ana renk m\u00fcrekkebi ifade eder. Teoride \u00fc\u00e7 ana renk m\u00fcrekkep, farkl\u0131 oranlara ve kar\u0131\u015ft\u0131rma yollar\u0131na g\u00f6re, \u00e7e\u015fitli farkl\u0131 renklerde kullan\u0131labilir, ancak pratikte, nas\u0131l kar\u0131\u015ft\u0131r\u0131laca\u011f\u0131 ve e\u015fle\u015ftirilece\u011fi \u00f6nemli de\u011fil, saf m\u00fcrekkep rengi ile donat\u0131lamaz. Bu nedenle, renkli bask\u0131da, m\u00fcrekkebi kaplamak i\u00e7in \u00e7o\u011funlukla sar\u0131, macenta, camg\u00f6be\u011fi, siyah d\u00f6rt renkli m\u00fcrekkep kullan\u0131l\u0131r.<\/p>\n
Buna ek olarak, \u00c7in'in ofset bask\u0131 parlak h\u0131zl\u0131 kuruyan d\u00f6rt renkli m\u00fcrekkep rengi orta sar\u0131, macenta, g\u00f6k mavisi ve siyah olarak belirlenmi\u015ftir gibi d\u00f6rt renkli m\u00fcrekkep \u00fcretim standartlar\u0131n\u0131n farkl\u0131 \u00fclkeleri ve \u00fcreticileri ayn\u0131 de\u011fildir.<\/p>\n
Standart Renkler Aras\u0131 M\u00fcrekkep: Herhangi iki ana rengin e\u015fit miktarlarda kar\u0131\u015ft\u0131r\u0131lmas\u0131yla olu\u015fan renkli m\u00fcrekkebi ifade eder.<\/p>\n
Standart Bile\u015fik Renkli M\u00fcrekkep: Herhangi iki ara rengin e\u015fit miktarlarda veya \u00fc\u00e7 ana rengin farkl\u0131 oranlarda kar\u0131\u015ft\u0131r\u0131lmas\u0131yla olu\u015fturulan renkli m\u00fcrekkebi ifade eder.<\/p>\n
Resim<\/p>\n
2\u3001 Koyu Spot Renkli M\u00fcrekkep Kar\u0131\u015ft\u0131rma<\/p>\n
Renk kar\u0131\u015f\u0131m\u0131 i\u00e7in herhangi bir seyreltici eklemeden bir veya birka\u00e7 \u00e7e\u015fit ana renk m\u00fcrekkebin kullan\u0131lmas\u0131na toplu olarak koyu spot renkli m\u00fcrekkep harmanlama denir. Eksiltici renk y\u00f6ntemi prensibine g\u00f6re, koyu m\u00fcrekkep kar\u0131\u015ft\u0131r\u0131l\u0131rken, orijinal renk m\u00fcrekkep say\u0131s\u0131 m\u00fcmk\u00fcn oldu\u011funca az kullan\u0131lmal\u0131d\u0131r. Aksi takdirde, m\u00fcrekkebin parlakl\u0131\u011f\u0131n\u0131 ve renk canl\u0131l\u0131\u011f\u0131n\u0131 azaltacakt\u0131r. Bununla birlikte, baz\u0131 \u00fcr\u00fcnlerin m\u00fcrekkep rengi i\u00e7in \u00f6zel gereksinimleri vard\u0131r, \u00f6rne\u011fin k\u0131rm\u0131z\u0131 m\u00fcrekkeple koyu kahverengi m\u00fcrekkep, sar\u0131 m\u00fcrekkep art\u0131 az miktarda siyah m\u00fcrekkep kar\u0131\u015f\u0131m\u0131 gibi. Buna ek olarak, bronz, k\u0131rm\u0131z\u0131 mor, cesaret zeytin ye\u015fili ve di\u011fer bile\u015fik renk tonlar\u0131n\u0131n kar\u0131\u015ft\u0131r\u0131ld\u0131\u011f\u0131 \u00fc\u00e7 ana rengin farkl\u0131 oranlar\u0131yla, ye\u015fil faz\u0131n \u00e7ok a\u011f\u0131r olmas\u0131, d\u00fczeltmek i\u00e7in az miktarda k\u0131rm\u0131z\u0131 m\u00fcrekkep ekleyebilmesi; k\u0131rm\u0131z\u0131 faz\u0131n \u00e7ok a\u011f\u0131r olmas\u0131, d\u00fczeltmek i\u00e7in az miktarda mavi m\u00fcrekkep ekleyebilmesi; menek\u015fe aromas\u0131n\u0131n \u00e7ok a\u011f\u0131r olmas\u0131, d\u00fczeltmek i\u00e7in az miktarda sar\u0131 m\u00fcrekkep ekleyebilmesi; siyah m\u00fcrekkep konsantrasyonunu derinle\u015ftirmek istiyorsan\u0131z, ayarlamak i\u00e7in az miktarda k\u0131z\u0131l, mavi \u00e7ekim eklenebilir. T\u0131pk\u0131 ofset siyah m\u00fcrekkep \u00fcretiminde oldu\u011fu gibi, \u00e7ekim mavisi, g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131na dayan\u0131kl\u0131 k\u0131rm\u0131z\u0131, ftalosiyanin mavisi ve di\u011fer pigmentlerle siyah m\u00fcrekkep tonunun ayn\u0131 prensibini ayarlamak i\u00e7in. Spot mavisi genellikle spot renkli m\u00fcrekkepte kullan\u0131l\u0131r, siyah m\u00fcrekkebin orijinal kahverengi arka plan\u0131n\u0131 ortadan kald\u0131rabilir, b\u00f6ylece siyah m\u00fcrekkep daha derin ve yo\u011fun olur.
\n3\u3001 A\u00e7\u0131k spot renkli m\u00fcrekkebin harmanlanmas\u0131<\/p>\n
Z\u0131mba veya beyaz m\u00fcrekkep m\u00fcrekkebi renk kar\u0131\u015f\u0131m\u0131n\u0131n eklenmesi gerekti\u011finde, toplu olarak a\u00e7\u0131k renkli m\u00fcrekkep kar\u0131\u015f\u0131m\u0131 olarak adland\u0131r\u0131l\u0131r. A\u00e7\u0131k spot renkli m\u00fcrekkebin harmanlanmas\u0131, ayd\u0131nlatma maddesi y\u00f6ntemini eklemek i\u00e7in orijinal renkli m\u00fcrekkepte kullan\u0131lamaz, \u00e7\u00fcnk\u00fc renk geli\u015ftirme kabiliyetindeki konu\u015fma maddesindeki orijinal renkli m\u00fcrekkep g\u00fc\u00e7l\u00fcd\u00fcr ve orijinal renkli m\u00fcrekkep renklendirme g\u00fcc\u00fc ayn\u0131 de\u011fildir, renk faz\u0131na neden olmak kolayd\u0131r izin verilmez ve orijinal m\u00fcrekkebin israf\u0131. Do\u011fru kar\u0131\u015ft\u0131rma y\u00f6ntemi, orijinal renkli m\u00fcrekkebi yava\u015f yava\u015f a\u00e7\u0131c\u0131 maddeye eklemek ve ard\u0131ndan renk faz\u0131 gereksinime ula\u015ft\u0131ktan sonra gerekli m\u00fcrekkep miktar\u0131n\u0131 kar\u0131\u015ft\u0131rmak i\u00e7in oran\u0131 geni\u015fletmektir.
\nA\u00e7\u0131k renkli m\u00fcrekkep \u00fc\u00e7 \u00e7e\u015fide ayr\u0131labilir:<\/p>\n
(1) A\u00e7\u0131k renkli m\u00fcrekkep esas olarak ayd\u0131nlatma maddesine dayan\u0131r: belirli bir \u015feffafl\u0131k derecesine sahiptir ve m\u00fcrekkebin \u00e7ok renkli \u00fcst bask\u0131s\u0131 i\u00e7in uygundur.<\/p>\n
2] beyaz m\u00fcrekkep bazl\u0131 mat tip m\u00fcrekkep: g\u00fc\u00e7l\u00fc bir \u00f6rtme g\u00fcc\u00fcne sahiptir, m\u00fcrekkep rengi daha canl\u0131d\u0131r. Genellikle, sentetik ka\u011f\u0131t i\u00e7in a\u00e7\u0131k renkli m\u00fcrekkep beyaz m\u00fcrekkep ile yap\u0131l\u0131r.<\/p>\n
3] A\u00e7\u0131k renkli m\u00fcrekkep, ayd\u0131nlat\u0131c\u0131 madde ve beyaz m\u00fcrekkep ile kar\u0131\u015ft\u0131r\u0131l\u0131r.<\/p>\n
Spot renkli m\u00fcrekkep kar\u0131\u015ft\u0131rma y\u00f6ntemi
\n1\u3001Oran y\u00f6ntemi<\/p>\n
M\u00fcrekkep rengi kar\u0131\u015ft\u0131rma, ilk ad\u0131m m\u00fcrekkep numunesini veya bask\u0131 numunesini dikkatlice g\u00f6zlemlemek ve analiz etmektir. M\u00fcrekkep numuneleri, Dowling ka\u011f\u0131t kaz\u0131ma numunesi olabilir, ayr\u0131ca bask\u0131 numunesini yazd\u0131rmak i\u00e7in cihaz\u0131n bask\u0131 uygunlu\u011funu da kullanabilirsiniz, genellikle 0,1 m silindir m\u00fcrekkep miktar\u0131n\u0131n d\u00f6rt b\u00f6l\u00fcm\u00fc, 0,15 ml silindir m\u00fcrekkep miktar\u0131n\u0131n iki b\u00f6l\u00fcm\u00fc. Her \u015feyden \u00f6nce, bask\u0131 \u00f6rne\u011finin kaba ayar\u0131n oran\u0131na g\u00f6re dereceli bak\u0131r m\u00fcrekkep borusu ile mevcut olan hangi renk m\u00fcrekkeplerden olu\u015fabilece\u011fini g\u00f6zlemlememiz, analiz etmemiz gerekir. M\u00fcrekkep numunesinin (kaz\u0131y\u0131c\u0131) kaba ayar\u0131 ile standart numunenin yak\u0131n olup olmad\u0131\u011f\u0131na bak\u0131n ve m\u00fcrekkep oran\u0131n\u0131 ve m\u00fcrekkep hacmini kaydedin. Yak\u0131nsa, say\u0131n\u0131n oran\u0131 y\u00fczdeye d\u00f6n\u00fc\u015ft\u00fcr\u00fcl\u00fcr ve ard\u0131ndan analitik terazi ince ayar\u0131n\u0131 kullan\u0131n; yak\u0131n de\u011filse, m\u00fcrekkep ve m\u00fcrekkep oran\u0131n\u0131n ad\u0131n\u0131 de\u011fi\u015ftirmeli, kar\u0131\u015ft\u0131rmaya devam etmelidir.
\n2\u3001Azaltma y\u00f6ntemi<\/p>\n
M\u00fcrekkep bile\u015fiminin rengini belirleyen standart numuneyi (m\u00fc\u015fteri taraf\u0131ndan sa\u011flanan standart renk numuneleri veya standart m\u00fcrekkep numunelerine yak\u0131n olmayan), s\u00fclf\u00fcrik asit ka\u011f\u0131d\u0131 ile bir cam plaka \u00fczerinde 10g veya 5g ad\u0131na bulunan m\u00fcrekkebi, transfer etmek i\u00e7in kullan\u0131lan herhangi bir m\u00fcrekkebi, m\u00fcrekkep standart numuneye yak\u0131n oldu\u011funda, m\u00fcrekkep biraz kaz\u0131mak i\u00e7in kullan\u0131labilir numuneler, y\u00fcz renginin g\u00f6zlemlenmesi, rengin alt k\u0131sm\u0131, filmi geri \u00e7ekmek i\u00e7in kullan\u0131lan kaz\u0131ma m\u00fcrekkebi. Standart numuneye yak\u0131nsa, kalan m\u00fcrekkep miktar\u0131 tart\u0131larak spot renkli m\u00fcrekkebin y\u00fczde i\u00e7eri\u011fine d\u00f6n\u00fc\u015ft\u00fcr\u00fclebilir. Daha sonra terazi ince ayar\u0131n\u0131 kullan\u0131n, e\u011fer standarda yak\u0131n bir numune ise kar\u0131\u015ft\u0131rmaya devam edin.
\n3\u3001PANTONE renk e\u015fle\u015ftirme y\u00f6ntemi<\/p>\n
PANNTONE Form\u00fcl K\u0131lavuzu' Pantome renk k\u0131lavuzunun 2000 versiyonu 1114 \u00e7e\u015fit Pantome spot-renk i\u00e7erir, d\u00fcnyan\u0131n ortak renk k\u0131lavuzudur, her renk i\u00e7in bir standart sa\u011flar, numaraland\u0131r\u0131lm\u0131\u015f ve m\u00fcrekkep oran\u0131na g\u00f6re ayarlanm\u0131\u015ft\u0131r, yelpaze \u015feklinde cilt kullan\u0131m\u0131, renk se\u00e7imi h\u0131zl\u0131 ve kullan\u0131\u015fl\u0131d\u0131r. Pantome spot renkli m\u00fcrekkepler, bask\u0131 \u00f6rneklerini dikkatlice g\u00f6zlemlemeli ve analiz etmeli, yak\u0131n renk \u00f6rneklerini bulmak i\u00e7in Pantome'un renk e\u015fle\u015ftirme k\u0131lavuzundaki renk \u00f6rnekleriyle kar\u015f\u0131la\u015ft\u0131rmal\u0131 ve birbirlerine \u00e7ok yak\u0131nlarsa, renk seri numaras\u0131n\u0131 yazmal\u0131 ve TCT tipi m\u00fcrekkeplerin bask\u0131 \u00f6rneklerini renk e\u015fle\u015ftirme k\u0131lavuzuyla kar\u015f\u0131la\u015ft\u0131rmal\u0131 ve ard\u0131ndan tutarl\u0131 olup olmad\u0131klar\u0131n\u0131 g\u00f6rmek i\u00e7in iki renk e\u015fle\u015ftirme k\u0131lavuzunun bask\u0131 \u00f6rneklerini analiz etmeliyiz; ve b\u00f6yle bir hata varsa, hatan\u0131n m\u00fcrekkep oranlar\u0131ndan hangisinden kaynakland\u0131\u011f\u0131n\u0131 bulun. E\u011fer bir hata varsa, hangi m\u00fcrekkep oran\u0131n\u0131n hatadan sorumlu oldu\u011funu bulun. Numuneyi analiz ettikten sonra, numune i\u00e7in kullan\u0131lan m\u00fcrekkep oran\u0131n\u0131 ayarlayabilirsiniz. Bu, kar\u0131\u015ft\u0131rma i\u015fini nispeten kolayla\u015ft\u0131racakt\u0131r.
\nSpot renkli m\u00fcrekkep kar\u0131\u015ft\u0131rma noktalar\u0131
\nSpot renkli m\u00fcrekkebin kar\u0131\u015ft\u0131r\u0131lmas\u0131 i\u015flem s\u00fcreci. Kar\u0131\u015ft\u0131rma m\u00fcrekkebi a\u015fa\u011f\u0131daki noktalara dikkat etmelidir.<\/p>\n
(1) bask\u0131 sonras\u0131 i\u015flemenin \u00f6zelliklerini dikkate alarak: m\u00fcrekkep se\u00e7imi, bask\u0131 sonras\u0131 i\u015flemenin durumunu dikkate al\u0131r, \u00f6rne\u011fin: bask\u0131lar\u0131n verniklenmesi gerekir, s\u00fcrt\u00fcnmeyi se\u00e7erseniz genel m\u00fcrekkep se\u00e7imi olabilir iyi m\u00fcrekkep, sadece maliyet y\u00fcksek de\u011fil, Ming'in y\u00fcz\u00fc verni\u011fin etkisi \u00fczerinde etkilidir.<\/p>\n
(2) ayn\u0131 t\u00fcr kar\u0131\u015ft\u0131rma: m\u00fcrekkep kar\u0131\u015ft\u0131rma, renkler aras\u0131 ve bile\u015fik rengin kar\u0131\u015ft\u0131r\u0131lmas\u0131 gibi ayn\u0131 t\u00fcr kar\u0131\u015ft\u0131rma ilkelerinde ustala\u015fmaya \u00e7al\u0131\u015fmal\u0131d\u0131r, ofset parlak \u00e7abuk kuruyan m\u00fcrekkep yoksa, bunun yerine ofset re\u00e7ine bazl\u0131 m\u00fcrekkep kullanabilirsiniz, ancak kar\u0131\u015ft\u0131rma oran\u0131na dikkat etmelisiniz, ofset re\u00e7ine m\u00fcrekkebi \u00e7ok fazlaysa, ofset parlak \u00e7abuk kuruyan m\u00fcrekkep \u00fczerinde m\u00fcrekkebin \u00f6zellikleri \u00fczerinde bir etkisi olacak ve ama\u00e7lanan bask\u0131lar\u0131n kalitesini iyile\u015ftiremeyecektir. M\u00fcrekkep rengi bilgisi bize ne kadar \u00e7ok \u00e7e\u015fit m\u00fcrekkep kar\u0131\u015f\u0131m\u0131 olursa rengin o kadar koyu olaca\u011f\u0131n\u0131 s\u00f6yler. Bu nedenle, orijinal renk m\u00fcrekkebi kullan\u0131labilir, asla renkler aras\u0131 m\u00fcrekkep kullan\u0131lmamal\u0131d\u0131r; renkler aras\u0131 m\u00fcrekkep kullan\u0131labilir, asla bile\u015fik renk m\u00fcrekkep kullan\u0131lmamal\u0131d\u0131r.<\/p>\n
(3) temel m\u00fcrekkebi belirleyin: bas\u0131l\u0131 numunenin rengi ikiden fazla m\u00fcrekkep kar\u0131\u015f\u0131m\u0131 olacak \u015fekilde, hangi rengin temel m\u00fcrekkep oldu\u011funu belirlemek ve yava\u015f yava\u015f di\u011fer m\u00fcrekkepleri eklemek i\u00e7in; temel m\u00fcrekkep olarak a\u00e7\u0131k renkli m\u00fcrekkep gibi ve yava\u015f yava\u015f koyu renkli m\u00fcrekkep ekleyin. B\u00f6ylece m\u00fcrekkep miktar\u0131 \u00e7ok fazla olmaz.<\/p>\n
(4) numunenin yo\u011funlu\u011fu tutarl\u0131: renk kar\u0131\u015f\u0131m\u0131n\u0131n bask\u0131s\u0131na g\u00f6re, m\u00fcrekkep miktar\u0131n\u0131 ayarlamak i\u00e7in filmin bask\u0131s\u0131ndaki m\u00fcrekkep numuneleri, b\u00f6ylece numunenin yo\u011funlu\u011fu ile tutarl\u0131 olur.<\/p>\n
(5) kay\u0131tlara ve hesaplamalara dikkat: \u00f6zellikle spot renkli m\u00fcrekkebi oranlama y\u00f6ntemine g\u00f6re ayarlarken, her zaman eklenen m\u00fcrekkep miktar\u0131n\u0131, kalan m\u00fcrekkep miktar\u0131n\u0131 vb. kaydetmeliyiz, bu da nihai oran\u0131n hesaplanmas\u0131na yard\u0131mc\u0131 olur.<\/p>\n
(6) M\u00fcrekkebin ayarlanmas\u0131: Spot renkli m\u00fcrekkebin da\u011f\u0131t\u0131m\u0131nda, renk e\u015fle\u015ftirmesine ek olarak, bazen m\u00fc\u015fteri talebini kar\u015f\u0131lamak \u00fczere m\u00fcrekkebi de\u011fi\u015ftirmek i\u00e7in belirli miktarda katk\u0131 maddesi eklemek gerekir.<\/p>\n
(7) bask\u0131 y\u00f6ntemine ve \u00f6zelliklerine dikkat edin: m\u00fcrekkep rengini kar\u0131\u015ft\u0131r\u0131rken, bask\u0131 y\u00f6ntemini ve \u00f6zelliklerini dikkate almal\u0131, tipo veya litografi, bask\u0131 alan\u0131 veya bask\u0131 ekran\u0131 vb. gibi ne t\u00fcr bir bask\u0131 y\u00f6ntemi i\u00e7in net e\u015fle\u015fen ya\u011f silmeri kullan\u0131lmal\u0131d\u0131r. M\u00fcrekkep tabakas\u0131n\u0131n kal\u0131nl\u0131\u011f\u0131n\u0131 olu\u015fturmak i\u00e7in farkl\u0131 bask\u0131 y\u00f6ntemleri farkl\u0131 oldu\u011fundan, renk de farkl\u0131d\u0131r. \u00d6rne\u011fin: a\u011f tabanl\u0131 m\u00fcrekkep bask\u0131s\u0131 i\u00e7in, renkteki rengin alt\u0131na odaklanabilir; alan tabanl\u0131 ise, renk ayn\u0131 y\u00fcze odaklanabilir; bazen her ikisi de varsa, alt ve y\u00fcz rengi dikkate al\u0131nmal\u0131d\u0131r.<\/p>\n
(8) tutarl\u0131 ka\u011f\u0131t: farkl\u0131 ka\u011f\u0131tlar\u0131n neden oldu\u011fu renk hatalar\u0131n\u0131 \u00f6nlemek i\u00e7in ka\u011f\u0131t ve bask\u0131 ka\u011f\u0131d\u0131nda tutarl\u0131l\u0131\u011f\u0131 korumak amac\u0131yla kullan\u0131lan spot renkli m\u00fcrekkebin da\u011f\u0131t\u0131m\u0131.<\/p>\n
(9) numuneleri basmak i\u00e7in ayn\u0131 zaman: m\u00fc\u015fterilere spot rengi kar\u0131\u015ft\u0131ran numuneler olarak m\u00fcrekkep numuneleri sa\u011flamak i\u00e7in, aralar\u0131ndaki renk farkl\u0131l\u0131klar\u0131n\u0131 do\u011fru bir \u015fekilde belirlemek amac\u0131yla numunelerin ve numunelerin kar\u015f\u0131la\u015ft\u0131r\u0131lmas\u0131 i\u00e7in ayn\u0131 anda bas\u0131lmas\u0131 gerekir.<\/p>\n
(10) tart\u0131m do\u011frulu\u011fu: ilk oran\u0131 bulmak i\u00e7in renk kar\u0131\u015ft\u0131rma, k\u00fc\u00e7\u00fck ayar numunelerinin (5g), numunenin b\u00fcy\u00fct\u00fclmesinin (100 ila 2000g), \u00fcretim numunesinin renginin tutarl\u0131 olmas\u0131n\u0131 sa\u011flamak i\u00e7in bir terazi ile ince ayar yap\u0131lmal\u0131d\u0131r. Ve e\u015fit \u015fekilde kar\u0131\u015ft\u0131rmaya dikkat edin.<\/p>\n
Spot-renkli m\u00fcrekkep genellikle rengin y\u00fcksek do\u011frulu\u011funu gerektirir, nitelikli olup olmad\u0131\u011f\u0131, bir kriter olarak harmanlama personelinin onay\u0131na dayanmaz, ancak bask\u0131ya bas\u0131ld\u0131ktan sonra bask\u0131 tesisindeki numuneyi b\u00fcy\u00fctmek, bir kriter olarak m\u00fc\u015fterinin memnuniyeti veya onaylamak i\u00e7in renk \u00f6l\u00e7\u00fcm cihazlar\u0131n\u0131n \u00f6l\u00e7\u00fcm\u00fcnden sonra.<\/p>\n
Spot Renkli M\u00fcrekkep Uygulamas\u0131
\nNe t\u00fcr \u00fcr\u00fcnler spot renk m\u00fcrekkeplerle bas\u0131lacak?<\/p>\n
Ambalaj \u00fcr\u00fcnleri veya kitap kapaklar\u0131 genellikle farkl\u0131 renklerden olu\u015fan tek tip bloklardan veya d\u00f6rt ana renkle \u00fcst bask\u0131 yap\u0131labilen d\u00fczenli degrade renk ve metin bloklar\u0131ndan olu\u015fur veya spot renkli m\u00fcrekkepler kullan\u0131labilir ve ard\u0131ndan ayn\u0131 renk blo\u011funa yaln\u0131zca belirli bir spot renkli m\u00fcrekkep bas\u0131labilir. Bask\u0131 kalitesinin iyile\u015ftirilmesi ve \u00fcst bask\u0131 say\u0131s\u0131ndan tasarruf edilmesi kapsaml\u0131 bir \u015fekilde de\u011ferlendirildi\u011finde, bazen spot renkli bask\u0131 tercih edilir.
\nSpot renkli bask\u0131 blo\u011fu ile d\u00f6rt renkli \u00fcst bask\u0131 blo\u011funun g\u00f6rsel efekt fark\u0131 nedir?<\/p>\n
Spot renkli bask\u0131 m\u00fcrekkebi, rengi elde etmek i\u00e7in renk \u00e7\u0131kar\u0131c\u0131 renk kar\u0131\u015ft\u0131rma prensibine uygun olarak harmanlan\u0131r, renk parlakl\u0131\u011f\u0131 d\u00fc\u015f\u00fck, y\u00fcksek doygunluk: m\u00fcrekkep \u00fcniform spot renkli blok genellikle saha bask\u0131s\u0131nda kullan\u0131l\u0131r ve m\u00fcrekkep miktar\u0131n\u0131 uygun \u015fekilde art\u0131rmak i\u00e7in, m\u00fcrekkep tabakas\u0131 kal\u0131nl\u0131\u011f\u0131n\u0131n d\u00fczeni b\u00fcy\u00fck oldu\u011funda, hassasiyet derecesindeki renk de\u011fi\u015fikliklerinde m\u00fcrekkep tabakas\u0131 kal\u0131nl\u0131\u011f\u0131 de\u011fi\u015fiklikleri azalacakt\u0131r, bu nedenle m\u00fcrekkep homojenli\u011fi, kal\u0131n bask\u0131 etkisi elde etmek daha kolayd\u0131r.<\/p>\n
Renk blo\u011fundan yola \u00e7\u0131kan d\u00f6rt renkli bask\u0131 i\u015finin kullan\u0131m\u0131, \u00e7e\u015fitli renklerin renk blo\u011funun bile\u015fimi nedeniyle \u00e7o\u011funlukla belirli bir oranda noktadan olu\u015fur, bask\u0131 noktalar\u0131, m\u00fcrekkep tabakas\u0131 kal\u0131nl\u0131\u011f\u0131 s\u0131k\u0131 bir \u015fekilde kontrol edilmelidir, m\u00fcrekkep tabakas\u0131 kal\u0131nl\u0131\u011f\u0131ndaki de\u011fi\u015fiklikler ve renk yo\u011funlu\u011fundaki de\u011fi\u015fikliklerin neden oldu\u011fu bask\u0131 i\u015flemi ko\u015fullar\u0131 nedeniyle de\u011fi\u015ftirilmesi kolayd\u0131r. Noktan\u0131n geni\u015fleme derecesindeki de\u011fi\u015fiklikler. Bu da renk de\u011fi\u015fikliklerine yol a\u00e7ar. Ve herhangi bir renk de\u011fi\u015fikli\u011finin blo\u011funun bile\u015fimi nedeniyle, renk de\u011fi\u015fikli\u011fi blo\u011funun rengine yol a\u00e7acak, d\u00fczensiz m\u00fcrekkep rengi f\u0131rsatlar\u0131n\u0131n ortaya \u00e7\u0131kmas\u0131na neden olacak \u015fekilde iki kat\u0131na \u00e7\u0131kacakt\u0131r, bu nedenle d\u00f6rt renkli bask\u0131 i\u015fleminin kullan\u0131m\u0131 renk blo\u011fundan \u00fcst bask\u0131, m\u00fcrekkep renginin tekd\u00fczeli\u011finin etkisini elde etmek kolay de\u011fildir. Renk blo\u011funun rengini bir seferde \u00fcst bask\u0131 yapmak i\u00e7in \u00e7ok renkli makine kullanamazsan\u0131z. Ayr\u0131ca yar\u0131 mamul \u00fcr\u00fcnlerin renginden dolay\u0131 renk yanl\u0131l\u0131\u011f\u0131na yatk\u0131nd\u0131r ve kontrol edilmesi kolay de\u011fildir. Buna ek olarak, d\u00f6rt renkli bask\u0131, eksiltici renk emiliminin noktalar\u0131ndan ve entegre etkinin eklemeli renk kar\u0131\u015f\u0131m\u0131ndan elde edilir, renk blo\u011fu parlakl\u0131\u011f\u0131 daha y\u00fcksek, doygunlu\u011fu daha d\u00fc\u015f\u00fckt\u00fcr. A\u00e7\u0131k renkli renk bloklar\u0131 i\u00e7in, d\u00f6rt renkli bask\u0131 i\u015flemi kullan\u0131ld\u0131\u011f\u0131nda, m\u00fcrekkebin ka\u011f\u0131t \u00fczerindeki d\u00fc\u015f\u00fck kapsama alan\u0131 nedeniyle, m\u00fcrekkep d\u00fczd\u00fcr ve kat\u0131 bir his vermez. Noktalar\u0131n a\u00e7\u0131s\u0131 nedeniyle desenlerin varl\u0131\u011f\u0131 da ka\u00e7\u0131n\u0131lmazd\u0131r.<\/p>\n
Resim<\/p>\n
\u00dcr\u00fcn kalitesini art\u0131rma perspektifinden bak\u0131ld\u0131\u011f\u0131nda, ne t\u00fcr \u00fcr\u00fcnler spot renkli bask\u0131 i\u00e7in uygundur?
\nA\u00e7\u0131k tek tip renk blo\u011funun geni\u015f alanlar\u0131n\u0131n bask\u0131s\u0131nda, genellikle eklemek i\u00e7in orijinal m\u00fcrekkepte kullan\u0131l\u0131r: spot renkli m\u00fcrekkebi kar\u0131\u015ft\u0131rmak i\u00e7in orta hafif ajan ve ard\u0131ndan alan bask\u0131s\u0131, b\u00f6ylece m\u00fcrekkep katman\u0131 daha kal\u0131n, tek tip renk elde etmek daha kolay, kal\u0131n etki. D\u00f6rt renkli bask\u0131 i\u015fleminde, d\u00fc\u015f\u00fck say\u0131da d\u00fcz ekran noktas\u0131 kullanmak gerekir. Bununla birlikte, plakadaki d\u00fc\u015f\u00fck say\u0131da d\u00fcz ekran noktas\u0131, k\u00fc\u00e7\u00fck kum tanelerine veya noktan\u0131n tek tek par\u00e7alar\u0131n\u0131n daha k\u00fc\u00e7\u00fck olmas\u0131ndan kaynaklanan biraz k\u00f6t\u00fc pompalamaya e\u011filimlidir, bu da e\u015fit olmayan m\u00fcrekkeple sonu\u00e7lan\u0131r: su kayna\u011f\u0131n\u0131n d\u00fczeni nedeniyle bask\u0131 ve kolay \u00e7ok fazla. Bask\u0131 plakas\u0131ndaki ka\u011f\u0131t tozu ve battaniye birikimi, d\u00fc\u015f\u00fck ka\u011f\u0131t d\u00fczg\u00fcnl\u00fc\u011f\u00fc ve di\u011fer nedenler k\u00fc\u00e7\u00fck noktalar\u0131n zay\u0131f m\u00fcrekkep transferine neden olur. Bu nedenle, daha a\u00e7\u0131k bir m\u00fcrekkep rengi ve d\u00fczensiz m\u00fcrekkep rengi vard\u0131r.<\/p>\n
Koyu renkli geni\u015f alanl\u0131 renk blo\u011fu i\u00e7in, d\u00f6rt renkli bask\u0131 i\u015fleminin kullan\u0131lmas\u0131, y\u00fcksek tuzlu nokta say\u0131s\u0131n\u0131n birka\u00e7 rengi ile \u00fcst \u00fcste bindirilmesi gerekebilir, m\u00fcrekkep tabakas\u0131 \u00e7ok kal\u0131nd\u0131r ve s\u00fcrt\u00fcnmenin arka taraf\u0131nda g\u00f6r\u00fcnmesi kolayd\u0131r; ve spot renkli bask\u0131 i\u015fleminin kullan\u0131lmas\u0131, sadece bir renk, s\u00fcrt\u00fcnmenin arka taraf\u0131nda g\u00f6r\u00fcnmesi kolay de\u011fildir. D\u00f6rt renkli bask\u0131 i\u015flemi, grafi\u011fin baz\u0131 k\u0131s\u0131mlar\u0131 birka\u00e7 renkle sentezlenebilir; ve spot renkli bask\u0131 i\u015fleminin kullan\u0131lmas\u0131, \u00fcst bask\u0131 hatalar\u0131 olas\u0131l\u0131\u011f\u0131n\u0131 \u00f6nlemek i\u00e7in yaln\u0131zca bir rengin kar\u015f\u0131l\u0131k gelen k\u0131s\u0131mlar\u0131.
\nEkonomik verimlilik a\u00e7\u0131s\u0131ndan bak\u0131ld\u0131\u011f\u0131nda, ne t\u00fcr \u00fcr\u00fcnler spot renkli bask\u0131 i\u00e7in uygundur?<\/p>\n
Ekonomik verimlilik a\u00e7\u0131s\u0131ndan bak\u0131ld\u0131\u011f\u0131nda, esas olarak spot renkli bask\u0131 i\u015fleminin \u00fcst bask\u0131 say\u0131s\u0131ndan tasarruf sa\u011flayabilmesine ba\u011fl\u0131d\u0131r. \u00c7\u00fcnk\u00fc \u00fcst bask\u0131 say\u0131s\u0131n\u0131n azalt\u0131lmas\u0131 bask\u0131 maliyetlerinden tasarruf sa\u011flayabilir, ayn\u0131 zamanda bask\u0131 \u00f6ncesi \u00fcretim maliyetinden de tasarruf sa\u011flayabilir.<\/p>\n
M\u00fcrekkepler renkleri ne kadar do\u011fru kar\u0131\u015ft\u0131r\u0131r?<\/p>\n
M\u00fcrekkepler ambalaj bask\u0131s\u0131, kitap ve dergiler ve mimari dekorasyon gibi \u00e7e\u015fitli sekt\u00f6rlerde yayg\u0131n olarak kullan\u0131lmaktad\u0131r. Bask\u0131 i\u015flemi s\u0131ras\u0131nda, bas\u0131lan her \u00fcr\u00fcn\u00fcn renginin tutarl\u0131 olmas\u0131n\u0131 sa\u011flamak bask\u0131 \u015firketleri i\u00e7in b\u00fcy\u00fck bir zorluktur. Bas\u0131l\u0131 \u00fcr\u00fcn\u00fcn rengi tutarl\u0131 de\u011filse, m\u00fc\u015fteri taraf\u0131ndan iade edilecek veya de\u011fi\u015ftirilecek ya da i\u015fbirli\u011fi yapmay\u0131 reddedecektir. Bu nedenle, bask\u0131 end\u00fcstrisinde m\u00fcrekkep rengi kar\u0131\u015f\u0131m\u0131 \u00e7ok \u00f6nemlidir. M\u00fc\u015fteri gereksinimlerini kar\u015f\u0131lamak i\u00e7in renk nas\u0131l ayarlan\u0131r, \u00fcreticilerin renk kar\u0131\u015ft\u0131rma s\u00fcrecinin ayr\u0131nt\u0131lar\u0131n\u0131 kavramas\u0131 gerekir.<\/p>\n
Yapay geleneksel renk e\u015fle\u015ftirme
\n1\u3001Numuneleri ald\u0131ktan sonra, \u00f6nce renk numunelerini izleyin, numunelerdeki yakla\u015f\u0131k m\u00fcrekkep oran\u0131n\u0131 inceleyin veya renk numunelerini renk kart\u0131yla kar\u015f\u0131la\u015ft\u0131r\u0131n, renk kart\u0131ndaki renk numunelerine en yak\u0131n rengi bulun ve ard\u0131ndan rengi renk kart\u0131ndaki form\u00fcle g\u00f6re kar\u0131\u015ft\u0131r\u0131n.<\/p>\n
2\u3001Renk de\u011fi\u015fiminin karma\u015f\u0131kl\u0131\u011f\u0131 nedeniyle, manuel deneyimle elde edilen ilk form\u00fcl\u00fcn renk fark\u0131 \u00e7ok b\u00fcy\u00fck olacakt\u0131r. \u00c7\u0131plak g\u00f6z renk sapmas\u0131n\u0131 g\u00f6rebilir, ancak eklenecek m\u00fcrekkep a\u011f\u0131rl\u0131\u011f\u0131n\u0131 do\u011fru bir \u015fekilde hesaplayamaz. Sadece kar\u0131\u015ft\u0131r\u0131rken ve kar\u0131\u015ft\u0131r\u0131rken, rengi yaymak i\u00e7in el bas\u0131nc\u0131 veya renk yayma makinesi kullan\u0131rken m\u00fcrekkep ekleyebilir. M\u00fcrekkep eklemek i\u00e7in 3 ila 5 kez kadar az, bir d\u00fczineden fazla kez, daha fazla m\u00fcrekkep, zaman al\u0131c\u0131 ve zahmetli ve hatta nitelikli spot rengi e\u015fle\u015ftirmede ba\u015far\u0131s\u0131z oldu. Son spot rengin renk fark\u0131 hala bilgisayar taraf\u0131ndan do\u011fru bir \u015fekilde kontrol edilmemektedir ve ayn\u0131 rengin farkl\u0131 bir spektrumu olup olmad\u0131\u011f\u0131n\u0131 bilmenin bir yolu yoktur.<\/p>\n
<\/p>\n
\u00d6rne\u011fin, \u00fc\u00e7 ana rengin m\u00fcrekkebi i\u00e7in sar\u0131 m\u00fcrekkep, macenta, camg\u00f6be\u011fi \u00fc\u00e7 renk m\u00fcrekkep, prensip olarak, farkl\u0131 da\u011f\u0131t\u0131m oranlar\u0131yla, bask\u0131 i\u015flemlerinin ihtiya\u00e7lar\u0131n\u0131 kar\u015f\u0131lamak i\u00e7in farkl\u0131 bir renk tonu elde edebilirsiniz. \u00dc\u00e7 ana renk m\u00fcrekkep kar\u0131\u015f\u0131m\u0131, renk \u00e7\u0131karma renk y\u00f6ntemi prensibine g\u00f6re, a\u015fa\u011f\u0131daki kurallarla:<\/p>\n
\u2460 iki ana m\u00fcrekkep rengi kar\u0131\u015ft\u0131\u011f\u0131nda, kar\u0131\u015f\u0131m oran\u0131 e\u015fitse, standart ara rengi elde edebilirsiniz; kar\u0131\u015f\u0131m oran\u0131 e\u015fit de\u011filse, \u00e7e\u015fitli farkl\u0131 ara renk tonlar\u0131 elde edersiniz, renk tonu daha b\u00fcy\u00fck partinin oran\u0131na do\u011fru e\u011filimlidir.<\/p>\n
\u2461 \u0130ki ana m\u00fcrekkep rengi e\u015fit miktarlarda kar\u0131\u015ft\u0131r\u0131ld\u0131\u011f\u0131nda, beyaz m\u00fcrekkep eklendi\u011finde, renk tonu parlak olur; siyah m\u00fcrekkep eklendi\u011finde koyu olur.<\/p>\n
\u2462 \u00dc\u00e7 ana m\u00fcrekkep rengi kar\u0131\u015ft\u0131r\u0131ld\u0131\u011f\u0131nda, kar\u0131\u015f\u0131m oran\u0131 e\u015fitse, neredeyse siyah elde edebilirsiniz; kar\u0131\u015f\u0131m oran\u0131 e\u015fit de\u011filse, \u00e7e\u015fitli farkl\u0131 renk tonlar\u0131 veya bile\u015fik renk elde edersiniz, renk tonu partinin daha b\u00fcy\u00fck bir oran\u0131na do\u011fru e\u011filimlidir.<\/p>\n
\u2463\u00dc\u00e7 ana renk m\u00fcrekkep e\u015fit miktarlarda kar\u0131\u015ft\u0131r\u0131ld\u0131\u011f\u0131nda, farkl\u0131 oranlarda beyaz m\u00fcrekkep eklenir ve farkl\u0131 tonlarda a\u00e7\u0131k gri m\u00fcrekkep elde edilebilir.<\/p>\n
Yukar\u0131da yapay geleneksel renk e\u015fle\u015ftirmenin tan\u0131t\u0131m\u0131 yap\u0131lm\u0131\u015ft\u0131r, yapay geleneksel renk e\u015fle\u015ftirmenin renk e\u015fle\u015ftirme personelinin y\u00fcksek derecede profesyonelli\u011fini gerektirdi\u011fi ve m\u00fcrekkep rengi kar\u0131\u015ft\u0131rma s\u00fcrecinde hata yapman\u0131n kolay oldu\u011fu g\u00f6r\u00fclebilir. 21. y\u00fczy\u0131l\u0131n y\u00fcksek teknoloji \u00e7a\u011f\u0131nda, renk e\u015fle\u015ftirme i\u00e7in bask\u0131 end\u00fcstrisinin verimlili\u011fini b\u00fcy\u00fck \u00f6l\u00e7\u00fcde art\u0131ran ara\u00e7lar do\u011fmu\u015ftur.<\/p>\n
M\u00fcrekkep rengi nas\u0131l do\u011fru \u015fekilde kar\u0131\u015ft\u0131r\u0131l\u0131r
\nAISI ColourMatch \u00f6zelle\u015ftirilmi\u015f \u00e7\u00f6z\u00fcmleri m\u00fcrekkep profesyonellerine a\u015fa\u011f\u0131daki avantajlar\u0131 sa\u011flayabilir:<\/p>\n
1) Beklenen g\u00f6r\u00fcnt\u00fcleme ko\u015fullar\u0131 alt\u0131nda renk e\u015fle\u015fmesini optimize edin<\/p>\n
2) Daha fazla miktarda ve daha az t\u00fcrde malzeme kullan\u0131m\u0131 yoluyla m\u00fcrekkep stoklar\u0131n\u0131 y\u00fczde 50'ye kadar azaltarak hammadde y\u00f6netimini iyile\u015ftirmek ve tedarik\u00e7i taleplerini daha iyi kar\u015f\u0131lamak<\/p>\n
(3) Zamandan tasarruf etmek ve mevcut m\u00fcrekkeplerden en iyi \u015fekilde yararlanmak i\u00e7in mevcut m\u00fcrekkep veri tabanlar\u0131n\u0131 kullanarak at\u0131k m\u00fcrekkep stoklar\u0131n\u0131 90%'ye kadar azalt\u0131n<\/p>\n
4) M\u00fcrekkep (boyalar\/pigmentler\/konsantreler vb.) harcamalar\u0131n\u0131 y\u00fczde 20 oran\u0131nda azalt\u0131n<\/p>\n
5) 50% ile renk uyumsuzlu\u011fu \u00fcretim israf\u0131n\u0131 azalt\u0131n ve ilk seferde renk e\u015fle\u015ftirme ba\u015far\u0131 oranlar\u0131n\u0131 iyile\u015ftirin<\/p>\n
6) At\u0131k m\u00fcrekkep envanterini 25-30% ile do\u011frudan azaltarak \u00e7evresel etkiyi azalt\u0131r<\/p>\n
<\/p>\n
Ink performance problems are often multi-variable problems. Teams generally move faster when they screen transfer, flow, drying or curing, and substrate hold together instead of changing one raw material at a time without a clear decision frame.<\/p>\n
Why do many ink problems require more than one formulation change?<\/strong> Should rheology be judged only by a single viscosity number?<\/strong> <\/p>\n <\/p>\n Quick answer:<\/strong> Printing ink decisions are usually made by balancing rheology, transfer quality, drying or curing behavior, and final substrate performance. The most useful answer comes from testing the real press condition, not only theoretical formulation rules.<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Spot colour ink: it is a pre-mixed specific colour ink, such as fluorescent yellow, pearl blue, metallic gold and silver ink, etc. It does not rely on CMYK four-colour overprinting,<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[143],"tags":[],"class_list":["post-7492","post","type-post","status-publish","format-standard","hentry","category-uv-light-curing-series"],"yoast_head":"\n
Because flow, transfer, drying, adhesion, and appearance interact, so improving one of them can sometimes worsen another if the full system is not reviewed together.<\/p>\n
Not usually. Printability also depends on transfer behavior, temperature, shear history, and how the ink behaves on the actual press.<\/p>\n\u015eimdi Bize Ula\u015f\u0131n!<\/b><\/strong><\/h2>\n
Fiyata ihtiyac\u0131n\u0131z varsa, l\u00fctfen a\u015fa\u011f\u0131daki forma ileti\u015fim bilgilerinizi doldurun, genellikle 24 saat i\u00e7inde sizinle ileti\u015fime ge\u00e7ece\u011fiz. Bana e-posta da g\u00f6nderebilirsiniz info@longchangchemical.com<\/a><\/span> \u00c7al\u0131\u015fma saatleri i\u00e7inde (8:30 - 6:00 UTC+8 Pzt.~Sat.) veya h\u0131zl\u0131 yan\u0131t almak i\u00e7in web sitesi canl\u0131 sohbetini kullan\u0131n.<\/b><\/strong><\/h4>\n
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\n Politiyol\/Polimerkaptan<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n DMES Monomer<\/a><\/span><\/td>\n Bis(2-mercaptoethyl) sulfide<\/td>\n 3570-55-6<\/td>\n<\/tr>\n \n DMPT Monomer<\/a><\/span><\/td>\n THIOCURE DMPT<\/td>\n 131538-00-6<\/td>\n<\/tr>\n \n PETMP Monomer<\/a><\/span><\/td>\n PENTAERITRITOL TETRA (3-MERKAPTOPROPIYONAT)<\/td>\n 7575-23-7<\/td>\n<\/tr>\n \n PM839 Monomer<\/a><\/span><\/td>\n Polioksi (metil-1,2-etanediyl)<\/td>\n 72244-98-5<\/td>\n<\/tr>\n \n Monofonksiyonel Monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n HEMA Monomer<\/a><\/span><\/td>\n 2-hidroksietil metakrilat<\/td>\n 868-77-9<\/td>\n<\/tr>\n \n HPMA Monomer<\/a><\/span><\/td>\n 2-Hidroksipropil metakrilat<\/td>\n 27813-02-1<\/td>\n<\/tr>\n \n THFA Monomer<\/a><\/span><\/td>\n Tetrahidrofurfuril akrilat<\/td>\n 2399-48-6<\/td>\n<\/tr>\n \n HDCPA Monomer<\/a><\/span><\/td>\n Hidrojenlenmi\u015f disiklopentenil akrilat<\/td>\n 79637-74-4<\/td>\n<\/tr>\n \n DCPMA Monomer<\/a><\/span><\/td>\n Dihydrodicyclopentadienyl methacrylate<\/td>\n 30798-39-1<\/td>\n<\/tr>\n \n DCPA Monomer<\/a><\/span><\/td>\n Dihidrodisiklopentadienil Akrilat<\/td>\n 12542-30-2<\/td>\n<\/tr>\n \n DCPEMA Monomer<\/a><\/span><\/td>\n Disiklopenteniloksietil Metakrilat<\/td>\n 68586-19-6<\/td>\n<\/tr>\n \n DCPEOA Monomer<\/a><\/span><\/td>\n Disiklopenteniloksietil Akrilat<\/td>\n 65983-31-5<\/td>\n<\/tr>\n \n NP-4EA Monomer<\/a><\/span><\/td>\n (4) etoksillenmi\u015f nonilfenol<\/td>\n 50974-47-5<\/td>\n<\/tr>\n \n LA Monomer<\/td>\n Lauril akrilat \/ Dodesil akrilat<\/td>\n 2156-97-0<\/td>\n<\/tr>\n \n THFMA Monomer<\/a><\/span><\/td>\n Tetrahidrofurfuril metakrilat<\/td>\n 2455-24-5<\/td>\n<\/tr>\n \n PHEA Monomer<\/span><\/a><\/td>\n 2-FENOKSIETIL AKRILAT<\/td>\n 48145-04-6<\/td>\n<\/tr>\n \n LMA Monomer<\/a><\/span><\/td>\n Lauril metakrilat<\/td>\n 142-90-5<\/td>\n<\/tr>\n \n IDA Monomer<\/a><\/span><\/td>\n \u0130zodesil akrilat<\/td>\n 1330-61-6<\/td>\n<\/tr>\n \n IBOMA Monomer<\/a><\/span><\/td>\n \u0130zobornil metakrilat<\/td>\n 7534-94-3<\/td>\n<\/tr>\n \n IBOA Monomer<\/a><\/span><\/td>\n \u0130zobornil akrilat<\/td>\n 5888-33-5<\/td>\n<\/tr>\n \n EOEOEA Monomer<\/a><\/span><\/td>\n 2-(2-Etoksietoksi)etil akrilat<\/td>\n 7328-17-8<\/td>\n<\/tr>\n \n \u00c7ok fonksiyonlu monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n DPHA Monomer<\/a><\/span><\/td>\n Dipentaeritritol hekzaakrilat<\/td>\n 29570-58-9<\/td>\n<\/tr>\n \n DI-TMPTA Monomer<\/a><\/span><\/td>\n DI(TRIMETILOLPROPAN) TETRAAKRILAT<\/td>\n 94108-97-1<\/td>\n<\/tr>\n \n Akrilamid monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n ACMO Monomer<\/a><\/span><\/td>\n 4-akriloilmorfolin<\/td>\n 5117-12-4<\/td>\n<\/tr>\n \n Di-fonksiyonel Monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n PEGDMA Monomer<\/a><\/span><\/td>\n Poli(etilen glikol) dimetakrilat<\/td>\n 25852-47-5<\/td>\n<\/tr>\n \n TPGDA Monomer<\/a><\/span><\/td>\n Tripropilen glikol diakrilat<\/td>\n 42978-66-5<\/td>\n<\/tr>\n \n TEGDMA Monomer<\/a><\/span><\/td>\n Trietilen glikol dimetakrilat<\/td>\n 109-16-0<\/td>\n<\/tr>\n \n PO2-NPGDA Monomer<\/span><\/a><\/td>\n Propoksilat neopentilen glikol diakrilat<\/td>\n 84170-74-1<\/td>\n<\/tr>\n \n PEGDA Monomer<\/a><\/span><\/td>\n Polietilen Glikol Diakrilat<\/td>\n 26570-48-9<\/td>\n<\/tr>\n \n PDDA Monomer<\/a><\/span><\/td>\n Ftalat dietilen glikol diakrilat<\/td>\n <\/td>\n<\/tr>\n \n NPGDA Monomer<\/a><\/span><\/td>\n Neopentil glikol diakrilat<\/td>\n 2223-82-7<\/td>\n<\/tr>\n \n HDDA Monomer<\/a><\/span><\/td>\n Heksametilen Diakrilat<\/td>\n 13048-33-4<\/td>\n<\/tr>\n \n EO4-BPADA Monomer<\/span><\/a><\/td>\n ETOKSILLENMI\u015e (4) BISFENOL A DIAKRILAT<\/td>\n 64401-02-1<\/td>\n<\/tr>\n \n EO10-BPADA Monomer<\/a><\/span><\/td>\n ETOKSILLENMI\u015e (10) BISFENOL A DIAKRILAT<\/td>\n 64401-02-1<\/td>\n<\/tr>\n \n EGDMA Monomer<\/a><\/span><\/td>\n Etilen glikol dimetakrilat<\/td>\n 97-90-5<\/td>\n<\/tr>\n \n DPGDA Monomer<\/a><\/span><\/td>\n Dipropilen Glikol Dienoat<\/td>\n 57472-68-1<\/td>\n<\/tr>\n \n Bis-GMA Monomer<\/a><\/span><\/td>\n Bisfenol A Glisidil Metakrilat<\/td>\n 1565-94-2<\/td>\n<\/tr>\n \n \u00dc\u00e7 Fonksiyonlu Monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n TMPTMA Monomer<\/a><\/span><\/td>\n Trimetilolpropan trimetakrilat<\/td>\n 3290-92-4<\/td>\n<\/tr>\n \n TMPTA Monomer<\/a><\/span><\/td>\n Trimetilolpropan triakrilat<\/td>\n 15625-89-5<\/td>\n<\/tr>\n \n PETA Monomer<\/a><\/span><\/td>\n Pentaeritritol triakrilat<\/td>\n 3524-68-3<\/td>\n<\/tr>\n \n GPTA (G3POTA) Monomer<\/a><\/span><\/td>\n GLISERIL PROPOKSI TRIAKRILAT<\/td>\n 52408-84-1<\/td>\n<\/tr>\n \n EO3-TMPTA Monomer<\/a><\/span><\/td>\n Etoksillenmi\u015f trimetilolpropan triakrilat<\/td>\n 28961-43-5<\/td>\n<\/tr>\n \n Fotorezist Monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n IPAMA Monomer<\/a><\/span><\/td>\n 2-izopropil-2-adamantil metakrilat<\/td>\n 297156-50-4<\/td>\n<\/tr>\n \n ECPMA Monomer<\/a><\/span><\/td>\n 1-Etilsiklopentil Metakrilat<\/td>\n 266308-58-1<\/td>\n<\/tr>\n \n ADAMA Monomer<\/a><\/span><\/td>\n 1-Adamantil Metakrilat<\/td>\n 16887-36-8<\/td>\n<\/tr>\n \n Metakrilat monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n TBAEMA Monomer<\/a><\/span><\/td>\n 2-(Tert-b\u00fctilamino)etil metakrilat<\/td>\n 3775-90-4<\/td>\n<\/tr>\n \n NBMA Monomer<\/a><\/span><\/td>\n n-B\u00fctil metakrilat<\/td>\n 97-88-1<\/td>\n<\/tr>\n \n MEMA Monomer<\/a><\/span><\/td>\n 2-Metoksietil Metakrilat<\/td>\n 6976-93-8<\/td>\n<\/tr>\n \n i-BMA Monomer<\/a><\/span><\/td>\n \u0130zob\u00fctil metakrilat<\/td>\n 97-86-9<\/td>\n<\/tr>\n \n EHMA Monomer<\/a><\/span><\/td>\n 2-Etilheksil metakrilat<\/td>\n 688-84-6<\/td>\n<\/tr>\n \n EGDMP Monomer<\/a><\/span><\/td>\n Etilen glikol Bis(3-merkaptopropiyonat)<\/td>\n 22504-50-3<\/td>\n<\/tr>\n \n EEMA Monomer<\/a><\/span><\/td>\n 2-etoksietil 2-metilprop-2-enoat<\/td>\n 2370-63-0<\/td>\n<\/tr>\n \n DMAEMA Monomer<\/a><\/span><\/td>\n N,M-Dimetilaminoetil metakrilat<\/td>\n 2867-47-2<\/td>\n<\/tr>\n \n DEAM Monomer<\/a><\/span><\/td>\n Dietilaminoetil metakrilat<\/td>\n 105-16-8<\/td>\n<\/tr>\n \n CHMA Monomer<\/a><\/span><\/td>\n Sikloheksil metakrilat<\/td>\n 101-43-9<\/td>\n<\/tr>\n \n BZMA Monomer<\/a><\/span><\/td>\n Benzil metakrilat<\/td>\n 2495-37-6<\/td>\n<\/tr>\n \n BDDMP Monomer<\/a><\/span><\/td>\n 1,4-B\u00fctandiol Di(3-merkaptopropiyonat)<\/td>\n 92140-97-1<\/td>\n<\/tr>\n \n BDDMA Monomer<\/a><\/span><\/td>\n 1,4-B\u00fctandioldimetakrilat<\/td>\n 2082-81-7<\/td>\n<\/tr>\n \n AMA Monomer<\/a><\/span><\/td>\n Alil metakrilat<\/td>\n 96-05-9<\/td>\n<\/tr>\n \n AAEM Monomer<\/a><\/span><\/td>\n Asetilasetoksietil metakrilat<\/td>\n 21282-97-3<\/td>\n<\/tr>\n \n Akrilatlar Monomer<\/strong><\/td>\n <\/td>\n<\/tr>\n \n IBA Monomer<\/a><\/span><\/td>\n \u0130zob\u00fctil akrilat<\/td>\n 106-63-8<\/td>\n<\/tr>\n \n EMA Monomer<\/a><\/span><\/td>\n Etil metakrilat<\/td>\n 97-63-2<\/td>\n<\/tr>\n \n DMAEA Monomer<\/a><\/span><\/td>\n Dimetilaminoetil akrilat<\/td>\n 2439-35-2<\/td>\n<\/tr>\n \n DEAEA Monomer<\/a><\/span><\/td>\n 2-(dietilamino)etil prop-2-enoat<\/td>\n 2426-54-2<\/td>\n<\/tr>\n \n CHA Monomer<\/a><\/span><\/td>\n sikloheksil prop-2-enoat<\/td>\n 3066-71-5<\/td>\n<\/tr>\n \n BZA Monomer<\/a><\/span><\/td>\n benzil prop-2-enoat<\/td>\n 2495-35-4<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n