M\u00fcrekkebin kar\u0131\u015ft\u0131r\u0131lmas\u0131, renkli bask\u0131 s\u00fcrecinde \u00fcr\u00fcn\u00fcn bask\u0131 kalitesiyle do\u011frudan ilgili olan \u00f6nemli bir i\u015ftir. Renk parlak, iyi parlakl\u0131k, do\u011fru renk tonu renkli bask\u0131 \u00fcr\u00fcnlerinin temel gereksinimleri oldu\u011fundan, bu gereksinimi elde etmek i\u00e7in \u00f6nce bask\u0131 m\u00fcrekkebini do\u011fru bir \u015fekilde kar\u0131\u015ft\u0131rmak gerekir. Bu nedenle, operat\u00f6r renk bilgisine ve m\u00fcrekkep kar\u0131\u015ft\u0131rma i\u015flemine hakim olmal\u0131d\u0131r.<\/p>\n
Koyu ve a\u00e7\u0131k renkli m\u00fcrekkep kar\u0131\u015ft\u0131rma<\/p>\n
M\u00fcrekkep harmanlama koyu m\u00fcrekkep ve a\u00e7\u0131k m\u00fcrekkep harmanlama olarak ikiye ayr\u0131labilir. S\u00f6zde koyu m\u00fcrekkep \u015fu anlama gelir: herhangi bir ayd\u0131nlatma maddesi eklemeden yaln\u0131zca orijinal renkli m\u00fcrekkeple harmanlama. Bask\u0131 i\u00e7in m\u00fcrekkep t\u00fcketim miktar\u0131na g\u00f6re harmanlama ve ana renk m\u00fcrekkebi ile ikincil renk m\u00fcrekkebini belirlemek i\u00e7in renk analizi ve \u00fcniform kar\u0131\u015f\u0131m. Koyu m\u00fcrekkep harmanlama tek renkli, ara renkli, \u00e7ok renkli olarak \u00fc\u00e7e ayr\u0131l\u0131r. Monokrom \u015fu anlama gelir: bir ana renkten 1 m\u00fcrekkep kar\u0131\u015ft\u0131rma ile. Renkler aras\u0131 \u015fu anlama gelir: iki ana renkten m\u00fcrekkep harmanlama. Bile\u015fik renk \u015fu anlama gelir: \u00fc\u00e7 \u00e7e\u015fit m\u00fcrekkep kar\u0131\u015ft\u0131r\u0131l\u0131r ve harmanlan\u0131r.<\/p>\n
A\u00e7\u0131k renkli m\u00fcrekkep olarak adland\u0131r\u0131lan ayd\u0131nlatma maddesi harmanlama m\u00fcrekkebinin nereye kat\u0131laca\u011f\u0131, harmanlama, \u00fc\u00e7 noktaya dikkat edin:<\/p>\n
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1, orijinal renk \u015feftali ve sar\u0131 1: 1 kar\u0131\u015ft\u0131rma, b\u00fcy\u00fck bir k\u0131rm\u0131z\u0131 faz elde edebilirsiniz; 1: 3 kar\u0131\u015ft\u0131rma koyu bir sar\u0131 elde edebilir; 3: 1 kar\u0131\u015ft\u0131rma alt\u0131n-k\u0131rm\u0131z\u0131 bir faz elde edebilir;.
\n2, birincil sar\u0131 ve mavi e\u015fit miktarda kar\u0131\u015ft\u0131r\u0131l\u0131rsa ye\u015fil elde edilebilir; 3:1 kar\u0131\u015ft\u0131r\u0131l\u0131rsa z\u00fcmr\u00fct ye\u015fili elde edilebilir: 4: kar\u0131\u015ft\u0131r\u0131l\u0131rsa elma ye\u015fili elde edilebilir: 1:3 kar\u0131\u015ft\u0131r\u0131l\u0131rsa koyu ye\u015fil elde edilebilir.
\n3, \u015feftali ve mavinin ana renklerini 1:3 oran\u0131nda kar\u0131\u015ft\u0131r\u0131p harmanlayarak koyu mavi-mor elde edebilirsiniz; 3:1 melodisi mavi lotus rengine yakla\u015fabilirse: \u015feftali ve mavinin ana renklerini 1:3 oran\u0131nda kar\u0131\u015ft\u0131r\u0131p harmanlayarak koyu mavi-mor elde edebilirsiniz; 3:1 melodisi mavi lotus rengine yakla\u015fabilirse.<\/p>\n
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Do\u011fru m\u00fcrekkep kar\u0131\u015f\u0131m\u0131 elde etmek i\u00e7in de\u011fi\u015fim yasas\u0131n\u0131n \u00fc\u00e7 ana renginde ustala\u015fmak<\/p>\n
\u00dc\u00e7 ana renkten herhangi biri, kar\u0131\u015ft\u0131rmak ve harmanlamak i\u00e7in farkl\u0131 oranlarda kullan\u0131labilir. M\u00fcrekkep tonu de\u011fi\u015fimi, bu yasan\u0131n kullan\u0131m\u0131d\u0131r. \u00d6rne\u011fin:<\/p>\n
1, \u00fc\u00e7 ana renk m\u00fcrekkep e\u015fit miktarda kar\u0131\u015ft\u0131rma ve harmanlama ile siyah olabilir (yakla\u015f\u0131k).<\/p>\n
2, m\u00fcrekkebin \u00fc\u00e7 ana renginin e\u015fit miktarda kar\u0131\u015ft\u0131r\u0131lmas\u0131 ve farkl\u0131 oranlarda beyaz m\u00fcrekkep eklenmesi, \u00e7e\u015fitli farkl\u0131 tonlarda a\u00e7\u0131k gri m\u00fcrekkep olarak form\u00fcle edilebilir.<\/p>\n
3\u3001\u00dc\u00e7 ana renk m\u00fcrekkep ve \u00e7e\u015fitli oranlarda kar\u0131\u015f\u0131m, ara renk veya bile\u015fik rengin \u00e7e\u015fitli farkl\u0131 tonlar\u0131na harmanlanabilir, ancak tonu orijinal renk tonunun oran\u0131na do\u011fru e\u011filimlidir.<\/p>\n
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4\u3001\u0130ki ana renk m\u00fcrekkebi e\u015fit miktarda kar\u0131\u015ft\u0131rd\u0131ktan sonra standart ara renk haline gelebilir; iki ana renk m\u00fcrekkebi farkl\u0131 oranlarda kar\u0131\u015ft\u0131r\u0131p harmanlad\u0131ktan sonra, farkl\u0131 renk fazlar\u0131na sahip \u00e7e\u015fitli ara renklere harmanlanabilir, ancak renk faz\u0131 b\u00fcy\u00fck ana renk fazlar\u0131 oran\u0131nda olma e\u011filimindedir.<\/p>\n
5, herhangi bir renk m\u00fcrekkep, tonu daha parlak g\u00f6r\u00fcnd\u00fckten sonra beyaz m\u00fcrekkep ekleyin. Siyah m\u00fcrekkep ekledikten sonra tonu koyula\u015f\u0131r.<\/p>\n
Yukar\u0131daki ana renk m\u00fcrekkebin \u00e7e\u015fitli renklere kar\u0131\u015fmas\u0131, \u00fc\u00e7 ana rengin \u00e7\u0131karma y\u00f6ntemi teorisine dayanmaktad\u0131r.<\/p>\n
M\u00fcrekkep kar\u0131\u015ft\u0131r\u0131rken, \u00f6ncelikle renk el yazmas\u0131n\u0131n tonunu analiz etmeli ve ayar etkisini iyile\u015ftirmek i\u00e7in tamamlay\u0131c\u0131 renk teorisini kullanarak renk sapmas\u0131n\u0131 d\u00fczeltmelisiniz.<\/p>\n
Bask\u0131y\u0131 al\u0131rken, ilk olarak \u00e7e\u015fitli renklerin orijinal el yazmas\u0131 dikkatli bir \u015fekilde de\u011ferlendirilmeli ve analiz edilmeli, ton oran\u0131na g\u00f6re ayarlanacak m\u00fcrekkep tart\u0131lmal\u0131d\u0131r. Renk analizi, temel bir prensibi kavramakt\u0131r, yani \u00fc\u00e7 ana renk, temel rengin herhangi bir renginin konu\u015fland\u0131r\u0131lmas\u0131d\u0131r.<\/p>\n
Genel olarak, de\u011fi\u015fim yasas\u0131n\u0131n \u00fc\u00e7 ana renginin uygulanmas\u0131, alt\u0131n ve g\u00fcm\u00fc\u015f renklerine ek olarak, herhangi bir karma\u015f\u0131k renk harmanlanabilir. Bununla birlikte, uygulama s\u00fcrecinde, say\u0131s\u0131z m\u00fcrekkep renginin harmanlanmas\u0131 i\u00e7in yaln\u0131zca \u00fc\u00e7 ana m\u00fcrekkep rengine g\u00fcvenmek yeterli de\u011fildir. \u00c7\u00fcnk\u00fc, asl\u0131nda, m\u00fcrekkep pigmentinin \u00fcretimi \u00e7ok standart de\u011fildir ve hatta her bir m\u00fcrekkep \u00fcretim partisinin renginde belirli bir derecede farkl\u0131l\u0131k olmas\u0131 ka\u00e7\u0131n\u0131lmazd\u0131r. Bu nedenle, uygulamada, istenen m\u00fcrekkep tonunu elde etmek i\u00e7in mavi, koyu mavi, a\u00e7\u0131k mavi, mavi, a\u00e7\u0131k mavi, sar\u0131, koyu sar\u0131, a\u00e7\u0131k sar\u0131, alt\u0131n, k\u0131rm\u0131z\u0131, k\u0131rm\u0131z\u0131, turuncu, koyu k\u0131rm\u0131z\u0131, a\u00e7\u0131k k\u0131rm\u0131z\u0131, siyah, ye\u015fil ve di\u011fer m\u00fcrekkep renkleri uygun miktarlarda kullan\u0131lmal\u0131d\u0131r. Bir\u00e7ok m\u00fcrekkep t\u00fcr\u00fc vard\u0131r, ancak her durumda, m\u00fcrekkebin \u00fc\u00e7 ana rengine ek olarak, \u00fc\u00e7 ana rengi tamamlamak i\u00e7in ba\u015fka renkler de kullan\u0131l\u0131r. Herhangi bir karma\u015f\u0131k renk, her zaman \u00fc\u00e7 ana rengin de\u011fi\u015fim aral\u0131\u011f\u0131 i\u00e7inde, bu prensibe hakim oldu\u011funuz s\u00fcrece, m\u00fcrekkep kar\u0131\u015ft\u0131rma bir sorun olmayacakt\u0131r.<\/p>\n
M\u00fcrekkebin birincil ve ikincil renklerini belirlemek i\u00e7in renk analizi yap\u0131ld\u0131\u011f\u0131nda, bu \u00f6rnek harmanlanabilir. Ancak, renk tonunun kar\u0131\u015f\u0131m\u0131nda sapma varsa, renk tonunu d\u00fczeltmek i\u00e7in tamamlay\u0131c\u0131 renk teorisi kullan\u0131labilir. \u00d6rne\u011fin, ye\u015fil renk tonu a\u011f\u0131rsa, d\u00fczeltmek i\u00e7in az miktarda k\u0131rm\u0131z\u0131 m\u00fcrekkep ekleyebilirsiniz. Tersine, k\u0131rm\u0131z\u0131 renk tonu \u00e7ok a\u011f\u0131rsa d\u00fczeltmek i\u00e7in mavi m\u00fcrekkep ekleyebilirsiniz.<\/p>\n
Renkler aras\u0131 ve bile\u015fik renk kar\u0131\u015f\u0131m\u0131<\/p>\n
Ara renk olarak adland\u0131r\u0131lan renk, m\u00fcrekkep kar\u0131\u015f\u0131m\u0131n\u0131n iki ana renginin bir kar\u0131\u015f\u0131m\u0131d\u0131r. \u00d6rne\u011fin: ara rengin rengi turuncu tonundan sonra k\u0131rm\u0131z\u0131 art\u0131 sar\u0131d\u0131r; sar\u0131 art\u0131 mavi ye\u015fil olabilir; k\u0131rm\u0131z\u0131 art\u0131 mavi mor olabilir. Kar\u0131\u015ft\u0131rma ve harmanlama i\u00e7in farkl\u0131 oranlarda iki ana renk, bir\u00e7ok ara renk t\u00fcr\u00fcnden harmanlanabilir.<\/p>\n
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Bile\u015fik renk, m\u00fcrekkebin \u00fc\u00e7 ana renginden ve bunlar\u0131n kar\u0131\u015ft\u0131r\u0131l\u0131p harmanlanmas\u0131ndan elde edilir. Farkl\u0131 oranlarda kar\u0131\u015ft\u0131r\u0131l\u0131rlarsa, bir\u00e7ok \u00e7e\u015fit bile\u015fik renk elde edebilirsiniz.<\/p>\n
1, orijinal renk \u015feftali, sar\u0131 ve maviyi e\u015fit miktarda kar\u0131\u015ft\u0131rarak siyaha yak\u0131n bir renk elde edebilirsiniz;<\/p>\n
2, 2 \u015feftali k\u0131rm\u0131z\u0131s\u0131 ve sar\u0131 ve mavi her 1 kar\u0131\u015ft\u0131rma ve harmanlama kahverengimsi k\u0131rm\u0131z\u0131 elde edilebilir;<\/p>\n
3, 4 \u015feftali ve sar\u0131 ve mavinin her biri 1 par\u00e7a kar\u0131\u015ft\u0131r\u0131l\u0131rsa, k\u0131rm\u0131z\u0131ms\u0131 kahverengi faz elde edilebilir; \u015feftali, sar\u0131 her biri 1 par\u00e7a mavi 2 par\u00e7a kar\u0131\u015ft\u0131r\u0131l\u0131rsa, zeytinden harmanlanabilir; \u015feftali, sar\u0131 her biri 1 par\u00e7a mavi 4 par\u00e7a kar\u0131\u015ft\u0131r\u0131l\u0131rsa, tek bir ye\u015fil renk faz\u0131 elde edebilirsiniz.<\/p>\n
Siyah operasyon temellerini harmanlama<\/p>\n
M\u00fcrekkebin harmanlanmas\u0131, el yazmas\u0131n\u0131n renk tonunun orijinal analizine g\u00f6re, hangi t\u00fcr m\u00fcrekkebin do\u011fru harmanlanaca\u011f\u0131n\u0131n belirlenmesi. G\u00f6l mavisi m\u00fcrekkebi ayarlamak i\u00e7in, g\u00f6rsel inceleme ve pratik deneyim ile beyaz m\u00fcrekkep ve tavus ku\u015fu mavisi kar\u0131\u015ft\u0131rmak ve harmanlamak i\u00e7in kullan\u0131lmal\u0131d\u0131r. Beyaz m\u00fcrekkep ana renktir, tavus ku\u015fu mavisi ikincil bir renktir ve hafif\u00e7e eklenmelidir. E\u011fer daha derin bir renk isteniyorsa hafif\u00e7e mavi eklenmelidir. Zeytin sar\u0131s\u0131 ve ye\u015fil m\u00fcrekkep rengini ayarlamak i\u00e7in, ana beyaz m\u00fcrekkep olarak belirlenebilir, a\u00e7\u0131k sar\u0131 ve tavus ku\u015fu mavisi eklenebilir ve hafif\u00e7e \u015feftali eklenebilir. Ana renk belirlendi\u011fi s\u00fcrece, di\u011fer renkler yard\u0131mc\u0131 renklerdir, yava\u015f yava\u015f k\u00fc\u00e7\u00fck miktarlarda eklenmeli ve e\u015fit \u015fekilde kar\u0131\u015ft\u0131r\u0131lmal\u0131d\u0131r. Daha sonra, iki par\u00e7a ka\u011f\u0131t (bask\u0131 ka\u011f\u0131d\u0131 ile ayn\u0131) kullan\u0131l\u0131r, ka\u011f\u0131t y\u00fczeylerinden biri biraz m\u00fcrekkeple kaplan\u0131r, ba\u015fka bir ka\u011f\u0131t par\u00e7as\u0131 ile m\u00fcrekkep tabakas\u0131 kal\u0131nl\u0131\u011f\u0131n\u0131n bask\u0131s\u0131na kaz\u0131n\u0131r, yani uygun olup olmad\u0131\u011f\u0131n\u0131 g\u00f6rmek i\u00e7in orijinal ile kar\u015f\u0131la\u015ft\u0131r\u0131l\u0131r. \u00d6rnekleri kar\u015f\u0131la\u015ft\u0131r\u0131rken, baz\u0131 do\u011frular\u0131 g\u00f6rmek i\u00e7in ka\u011f\u0131t m\u00fcrekkep katman\u0131ndaki m\u00fcrekkebi nispeten ince ve hafif par\u00e7alara kaz\u0131mak.<\/p>\n
M\u00fcrekkebi ayarlarken, ayn\u0131 zamanda bir prensibe hakim olmak, yani farkl\u0131 renklerde m\u00fcrekkeple m\u00fcmk\u00fcn oldu\u011funca az, yani 2 \u00e7e\u015fit m\u00fcrekkeple ayarlanabilir, ayarlamak i\u00e7in 3 \u00e7e\u015fit m\u00fcrekkep kullanmay\u0131n, b\u00f6ylece m\u00fcrekkebin parlakl\u0131\u011f\u0131n\u0131 azaltmay\u0131n. \u00d6te yandan, kaz\u0131ma \u00f6rnekleri orijinal renkten biraz daha \u00e7amurlu olmal\u0131d\u0131r, b\u00f6ylece bas\u0131l\u0131 renk \u00f6rnekleri do\u011fru olabilir. K\u00fc\u00e7\u00fck numunenin m\u00fcrekkep rengi ayarland\u0131ktan sonra, m\u00fcrekkep ayar\u0131n\u0131n kalitesini sa\u011flamak ve i\u015f verimlili\u011fini art\u0131rmak i\u00e7in ilgili m\u00fcrekkebin oran\u0131na, toplu m\u00fcrekkep ayar\u0131na dayanabilir.<\/p>\n
M\u00fcrekkep filminin parlakl\u0131\u011f\u0131 nas\u0131l art\u0131r\u0131l\u0131r<\/p>\n
1. \u0130zin verilen renk konsantrasyonu aral\u0131\u011f\u0131nda uygun miktarda m\u00fcrekkep kar\u0131\u015ft\u0131rma ya\u011f\u0131 ekleyin.
\n2\u3001Bask\u0131 filminin y\u00fczeyini \u00fcst bask\u0131 ya\u011f\u0131 veya m\u00fcrekkep kar\u0131\u015ft\u0131rma ya\u011f\u0131 ile kaplay\u0131n.
\n3, m\u00fcrekkebin \u015feffafl\u0131\u011f\u0131n\u0131 art\u0131r\u0131n, y\u00fcksek \u015feffafl\u0131kta m\u00fcrekkep se\u00e7in veya uygun miktarda soldurma m\u00fcrekkep ya\u011f\u0131 ekleyin, p\u00fcr\u00fczs\u00fczl\u00fc\u011f\u00fcn alt tabaka bask\u0131 y\u00fczeyinin p\u00fcr\u00fczs\u00fcz, g\u00fc\u00e7l\u00fc yans\u0131t\u0131c\u0131 g\u00fcc\u00fcn\u00fcn kullan\u0131lmas\u0131.
\n4, alt tabaka y\u00fczey adsorpsiyonunu \u00f6nlemek i\u00e7in, alt tabaka bask\u0131 y\u00fczeyinin p\u00fcr\u00fczs\u00fczl\u00fc\u011f\u00fcn\u00fcn makul \u015fekilde iyile\u015ftirilmesi.
\n5, bask\u0131 ortam\u0131n\u0131n s\u0131cakl\u0131\u011f\u0131na ve nemine dikkat edin. Y\u00fcksek nem durumunda, solvent buharla\u015fma h\u0131z\u0131 nedeniyle plastik grav\u00fcr bask\u0131 i\u00e7in d\u00fc\u015f\u00fck s\u0131cakl\u0131k, m\u00fcrekkep filminin etraf\u0131ndaki \u0131s\u0131y\u0131 emer ve h\u0131zl\u0131 yo\u011fu\u015fma yerinde havadaki su buhar\u0131na neden olur, b\u00f6ylece bask\u0131 m\u00fcrekkebi film y\u00fczeyi bir sis olu\u015fturur ve m\u00fcrekkep tabakas\u0131n\u0131n parlakl\u0131\u011f\u0131n\u0131 kaybeder.
\nYa\u011fmurlu mevsimde, iyi bask\u0131 sonu\u00e7lar\u0131 elde etmek i\u00e7in bask\u0131 ortam\u0131n\u0131n s\u0131cakl\u0131\u011f\u0131n\u0131n ve neminin kontrol edilmesine \u00f6zellikle dikkat edilmelidir. Genellikle en iyi oda s\u0131cakl\u0131\u011f\u0131 21-23 \u2103, nem kontrol\u00fc 40%'de uygundur, bu da rengin do\u011fru \u015fekilde yeniden \u00fcretilmesine yard\u0131mc\u0131 olacakt\u0131r.<\/p>\n
\u00d6zel renk kar\u0131\u015f\u0131m\u0131<\/p>\n
1, alt\u0131n, g\u00fcm\u00fc\u015f m\u00fcrekkep harmanlama: do\u011fru miktarda alt\u0131n tozu eklemek i\u00e7in soldurma m\u00fcrekkep ya\u011f\u0131 kullan\u0131m\u0131, g\u00fcm\u00fc\u015f tozu kar\u0131\u015ft\u0131r\u0131labilir, alt\u0131n tozu ve g\u00fcm\u00fc\u015f tozunun uygun inceli\u011finin se\u00e7imine dikkat edin, ayn\u0131 zamanda m\u00fcrekkep harmanlama ya\u011f\u0131 ile uyumlu bask\u0131 alt tabakas\u0131n\u0131 se\u00e7mek i\u00e7in. Ancak ayn\u0131 zamanda haz\u0131rl\u0131\u011f\u0131n bask\u0131s\u0131nda, d\u00f6nme s\u00fcresinin \u00e7ok uzun olmas\u0131 ve \u00e7\u00f6kelme ve tabakala\u015fma nedeniyle m\u00fcrekkebi \u00f6nlemek i\u00e7in alt\u0131n m\u00fcrekkep, kar\u0131\u015f\u0131k \u00fcretim i\u00e7in g\u00fcm\u00fc\u015f tozu, \u015feffaf sar\u0131, soldurma m\u00fcrekkep ya\u011f\u0131 da kullanabilir. Alt\u0131n m\u00fcrekkebin haz\u0131rlanmas\u0131nda kalem, alt\u0131n tozu (ye\u015fil \u0131\u015f\u0131k) kullan\u0131m\u0131: solmu\u015f alt\u0131n ya\u011f\u0131: \u015feffaf sar\u0131 = 1: 3: 2, etkisi iyidir. E\u011fer k\u0131rm\u0131z\u0131 \u0131\u015f\u0131k renk faz\u0131n\u0131 form\u00fcle etmek istiyorsan\u0131z, alt\u0131n tozunu k\u0131rm\u0131z\u0131 \u0131\u015f\u0131k olarak de\u011fi\u015ftirmeniz yeterlidir. Se\u00e7im m\u00fc\u015fteri gereksinimlerine g\u00f6re belirlenmelidir.<\/p>\n
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2\u3001Pearlescent m\u00fcrekkep kar\u0131\u015f\u0131m\u0131: pearlescent pigment ve do\u011fru oranda y\u00fcksek \u015feffafl\u0131kta m\u00fcrekkep veya m\u00fcrekkep kar\u0131\u015ft\u0131rma ya\u011f\u0131 e\u015fit olarak kar\u0131\u015ft\u0131r\u0131l\u0131r. M\u00fcrekkebin \u00f6rtme g\u00fcc\u00fc g\u00fc\u00e7l\u00fcd\u00fcr ve uygulaman\u0131n sedef etkisi kaybolabilir, bu nedenle dikkat edilmelidir,<\/p>\n
3\u3001I\u015f\u0131kl\u0131 m\u00fcrekkep kar\u0131\u015ft\u0131rma: m\u00fcrekkep, \u0131\u015f\u0131k enerjisini emme ve ard\u0131ndan belirli bir s\u00fcre i\u00e7inde \u0131\u015f\u0131\u011f\u0131 serbest b\u0131rakma etkisine sahiptir, bu nedenle genellikle geceleri parlak olabilir, bu nedenle buna \u0131\u015f\u0131kl\u0131 m\u00fcrekkep veya fosforlu m\u00fcrekkep denir, genellikle \u0131\u015f\u0131kl\u0131 pigment, m\u00fcrekkep kar\u0131\u015ft\u0131rma ya\u011f\u0131n\u0131n y\u00fcksek \u015feffafl\u0131\u011f\u0131nda da\u011f\u0131l\u0131r ve e\u015fit \u015fekilde kar\u0131\u015ft\u0131r\u0131labilir.<\/p>\n
Her t\u00fcrl\u00fc m\u00fcrekkebin \u00fczerinde alt\u0131n m\u00fcrekkep \u00f6\u011f\u00fct\u00fclemez, g\u00fcm\u00fc\u015f m\u00fcrekkep \u00f6\u011f\u00fctme \u00f6\u011f\u00fctme ekipman\u0131na zarar verir, sedefli, karanl\u0131kta parlayan m\u00fcrekkep \u00f6\u011f\u00fctme y\u00fczeyi veya kristal yap\u0131y\u0131 tahrip eder, renk tonunun etkisi nedeniyle kayb\u0131 vb.<\/p>\n
Plastik bask\u0131 renk kar\u0131\u015ft\u0131rma \u00f6nlemleri<\/p>\n
1, bask\u0131 m\u00fcrekkebi tonlamas\u0131 m\u00fcmk\u00fcn oldu\u011funca kullan\u0131lmal\u0131d\u0131r, m\u00fcrekkep fabrikas\u0131 \u015fekilli m\u00fcrekkebin ayn\u0131 tonunu \u00fcretir, \u015fekilli m\u00fcrekkep renk derecesi, iki renkli m\u00fcrekkep tonlamas\u0131na g\u00f6re renk derecesi y\u00fcksektir:<\/p>\n
2\u3001Rengi e\u015fle\u015ftirmek i\u00e7in bir veya iki \u00e7e\u015fit m\u00fcrekkep kullanmak istiyorsan\u0131z, kar\u0131\u015ft\u0131rmak i\u00e7in ana \u015fekilli m\u00fcrekkebe yak\u0131n rengi kullanmaya \u00e7al\u0131\u015fmal\u0131s\u0131n\u0131z.<\/p>\n
3, renk e\u015fle\u015ftirme, m\u00fcrekkep \u00e7e\u015fitlili\u011fini azaltmaya \u00e7al\u0131\u015fmal\u0131d\u0131r, \u00e7\u00fcnk\u00fc daha fazla m\u00fcrekkep \u00e7e\u015fidi, daha y\u00fcksek camg\u00f6be\u011fi oran\u0131, m\u00fcrekkebin parlakl\u0131\u011f\u0131n\u0131 ve rengini azaltacakt\u0131r, bu nedenle kar\u0131\u015ft\u0131rmak i\u00e7in \u00fc\u00e7 renk kullanmamak i\u00e7in iyi e\u015fle\u015ftirmek i\u00e7in iki renk kullanabilirsiniz.<\/p>\n
4, plastik film emici olmayan bir malzemedir, renkli m\u00fcrekkebi seyreltmek i\u00e7in tiner kullan\u0131lamaz, seyreltmek i\u00e7in beyaz m\u00fcrekkebe eklenmelidir.<\/p>\n
5, farkl\u0131 \u00fcreticiler, beyaz m\u00fcrekkebin parlakl\u0131\u011f\u0131n\u0131, safl\u0131\u011f\u0131n\u0131 ve kuruma h\u0131z\u0131n\u0131 etkileyecek farkl\u0131 m\u00fcrekkep kar\u0131\u015ft\u0131rma \u00e7e\u015fitleri, farkl\u0131 kar\u0131\u015ft\u0131rma t\u00fcrlerinin m\u00fcrekkebi do\u011frudan orijinal re\u00e7ine renk tonunu de\u011fi\u015ftirecek, m\u00fcrekkep k\u00f6t\u00fc, bu y\u00fczden herkesin daha fazla dikkat etmesi gerekti\u011fi a\u00e7\u0131kt\u0131r.<\/p>\n
\u00d6zetlemek gerekirse: m\u00fcrekkep rengiyle birlikte, nihai sonuca iyi bir renk da\u011f\u0131tmak i\u00e7in her ge\u00e7i\u015fi dikkatlice kavramak gerekir, m\u00fc\u015fteri gereksinimleri do\u011frultusunda, farkl\u0131 m\u00fcrekkep rengi partilerinin tutarl\u0131 kalmas\u0131n\u0131 sa\u011flamak i\u00e7in kalite.<\/p>\n
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Ink performance problems are often multi-variable problems. Teams generally move faster when they screen transfer, flow, drying or curing, and substrate hold together instead of changing one raw material at a time without a clear decision frame.<\/p>\n
Why do many ink problems require more than one formulation change?<\/strong> Should rheology be judged only by a single viscosity number?<\/strong> <\/p>\n <\/p>\n Quick answer:<\/strong> Printing ink decisions are usually made by balancing rheology, transfer quality, drying or curing behavior, and final substrate performance. The most useful answer comes from testing the real press condition, not only theoretical formulation rules.<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Blending ink is an important work in the colour printing process, which is directly related to the printing quality of the product. Because the colour is bright, good brightness, accurate<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[143],"tags":[],"class_list":["post-7486","post","type-post","status-publish","format-standard","hentry","category-uv-light-curing-series"],"yoast_head":"\n
Because flow, transfer, drying, adhesion, and appearance interact, so improving one of them can sometimes worsen another if the full system is not reviewed together.<\/p>\n
Not usually. Printability also depends on transfer behavior, temperature, shear history, and how the ink behaves on the actual press.<\/p>\n\u015eimdi Bize Ula\u015f\u0131n!<\/b><\/strong><\/h2>\n
Fiyata ihtiyac\u0131n\u0131z varsa, l\u00fctfen a\u015fa\u011f\u0131daki forma ileti\u015fim bilgilerinizi doldurun, genellikle 24 saat i\u00e7inde sizinle ileti\u015fime ge\u00e7ece\u011fiz. Bana e-posta da g\u00f6nderebilirsiniz info@longchangchemical.com<\/a><\/span> \u00c7al\u0131\u015fma saatleri i\u00e7inde (8:30 - 6:00 UTC+8 Pzt.~Sat.) veya h\u0131zl\u0131 yan\u0131t almak i\u00e7in web sitesi canl\u0131 sohbetini kullan\u0131n.<\/b><\/strong><\/h4>\n
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\n Politiyol\/Polimerkaptan<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n DMES Monomer<\/a><\/span><\/td>\n Bis(2-mercaptoethyl) sulfide<\/td>\n 3570-55-6<\/td>\n<\/tr>\n \n DMPT Monomer<\/a><\/span><\/td>\n THIOCURE DMPT<\/td>\n 131538-00-6<\/td>\n<\/tr>\n \n PETMP Monomer<\/a><\/span><\/td>\n PENTAERITRITOL TETRA (3-MERKAPTOPROPIYONAT)<\/td>\n 7575-23-7<\/td>\n<\/tr>\n \n PM839 Monomer<\/a><\/span><\/td>\n Polioksi (metil-1,2-etanediyl)<\/td>\n 72244-98-5<\/td>\n<\/tr>\n \n Monofonksiyonel Monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n HEMA Monomer<\/a><\/span><\/td>\n 2-hidroksietil metakrilat<\/td>\n 868-77-9<\/td>\n<\/tr>\n \n HPMA Monomer<\/a><\/span><\/td>\n 2-Hidroksipropil metakrilat<\/td>\n 27813-02-1<\/td>\n<\/tr>\n \n THFA Monomer<\/a><\/span><\/td>\n Tetrahidrofurfuril akrilat<\/td>\n 2399-48-6<\/td>\n<\/tr>\n \n HDCPA Monomer<\/a><\/span><\/td>\n Hidrojenlenmi\u015f disiklopentenil akrilat<\/td>\n 79637-74-4<\/td>\n<\/tr>\n \n DCPMA Monomer<\/a><\/span><\/td>\n Dihydrodicyclopentadienyl methacrylate<\/td>\n 30798-39-1<\/td>\n<\/tr>\n \n DCPA Monomer<\/a><\/span><\/td>\n Dihidrodisiklopentadienil Akrilat<\/td>\n 12542-30-2<\/td>\n<\/tr>\n \n DCPEMA Monomer<\/a><\/span><\/td>\n Disiklopenteniloksietil Metakrilat<\/td>\n 68586-19-6<\/td>\n<\/tr>\n \n DCPEOA Monomer<\/a><\/span><\/td>\n Disiklopenteniloksietil Akrilat<\/td>\n 65983-31-5<\/td>\n<\/tr>\n \n NP-4EA Monomer<\/a><\/span><\/td>\n (4) etoksillenmi\u015f nonilfenol<\/td>\n 50974-47-5<\/td>\n<\/tr>\n \n LA Monomer<\/td>\n Lauril akrilat \/ Dodesil akrilat<\/td>\n 2156-97-0<\/td>\n<\/tr>\n \n THFMA Monomer<\/a><\/span><\/td>\n Tetrahidrofurfuril metakrilat<\/td>\n 2455-24-5<\/td>\n<\/tr>\n \n PHEA Monomer<\/span><\/a><\/td>\n 2-FENOKSIETIL AKRILAT<\/td>\n 48145-04-6<\/td>\n<\/tr>\n \n LMA Monomer<\/a><\/span><\/td>\n Lauril metakrilat<\/td>\n 142-90-5<\/td>\n<\/tr>\n \n IDA Monomer<\/a><\/span><\/td>\n \u0130zodesil akrilat<\/td>\n 1330-61-6<\/td>\n<\/tr>\n \n IBOMA Monomer<\/a><\/span><\/td>\n \u0130zobornil metakrilat<\/td>\n 7534-94-3<\/td>\n<\/tr>\n \n IBOA Monomer<\/a><\/span><\/td>\n \u0130zobornil akrilat<\/td>\n 5888-33-5<\/td>\n<\/tr>\n \n EOEOEA Monomer<\/a><\/span><\/td>\n 2-(2-Etoksietoksi)etil akrilat<\/td>\n 7328-17-8<\/td>\n<\/tr>\n \n \u00c7ok fonksiyonlu monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n DPHA Monomer<\/a><\/span><\/td>\n Dipentaeritritol hekzaakrilat<\/td>\n 29570-58-9<\/td>\n<\/tr>\n \n DI-TMPTA Monomer<\/a><\/span><\/td>\n DI(TRIMETILOLPROPAN) TETRAAKRILAT<\/td>\n 94108-97-1<\/td>\n<\/tr>\n \n Akrilamid monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n ACMO Monomer<\/a><\/span><\/td>\n 4-akriloilmorfolin<\/td>\n 5117-12-4<\/td>\n<\/tr>\n \n Di-fonksiyonel Monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n PEGDMA Monomer<\/a><\/span><\/td>\n Poli(etilen glikol) dimetakrilat<\/td>\n 25852-47-5<\/td>\n<\/tr>\n \n TPGDA Monomer<\/a><\/span><\/td>\n Tripropilen glikol diakrilat<\/td>\n 42978-66-5<\/td>\n<\/tr>\n \n TEGDMA Monomer<\/a><\/span><\/td>\n Trietilen glikol dimetakrilat<\/td>\n 109-16-0<\/td>\n<\/tr>\n \n PO2-NPGDA Monomer<\/span><\/a><\/td>\n Propoksilat neopentilen glikol diakrilat<\/td>\n 84170-74-1<\/td>\n<\/tr>\n \n PEGDA Monomer<\/a><\/span><\/td>\n Polietilen Glikol Diakrilat<\/td>\n 26570-48-9<\/td>\n<\/tr>\n \n PDDA Monomer<\/a><\/span><\/td>\n Ftalat dietilen glikol diakrilat<\/td>\n <\/td>\n<\/tr>\n \n NPGDA Monomer<\/a><\/span><\/td>\n Neopentil glikol diakrilat<\/td>\n 2223-82-7<\/td>\n<\/tr>\n \n HDDA Monomer<\/a><\/span><\/td>\n Heksametilen Diakrilat<\/td>\n 13048-33-4<\/td>\n<\/tr>\n \n EO4-BPADA Monomer<\/span><\/a><\/td>\n ETOKSILLENMI\u015e (4) BISFENOL A DIAKRILAT<\/td>\n 64401-02-1<\/td>\n<\/tr>\n \n EO10-BPADA Monomer<\/a><\/span><\/td>\n ETOKSILLENMI\u015e (10) BISFENOL A DIAKRILAT<\/td>\n 64401-02-1<\/td>\n<\/tr>\n \n EGDMA Monomer<\/a><\/span><\/td>\n Etilen glikol dimetakrilat<\/td>\n 97-90-5<\/td>\n<\/tr>\n \n DPGDA Monomer<\/a><\/span><\/td>\n Dipropilen Glikol Dienoat<\/td>\n 57472-68-1<\/td>\n<\/tr>\n \n Bis-GMA Monomer<\/a><\/span><\/td>\n Bisfenol A Glisidil Metakrilat<\/td>\n 1565-94-2<\/td>\n<\/tr>\n \n \u00dc\u00e7 Fonksiyonlu Monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n TMPTMA Monomer<\/a><\/span><\/td>\n Trimetilolpropan trimetakrilat<\/td>\n 3290-92-4<\/td>\n<\/tr>\n \n TMPTA Monomer<\/a><\/span><\/td>\n Trimetilolpropan triakrilat<\/td>\n 15625-89-5<\/td>\n<\/tr>\n \n PETA Monomer<\/a><\/span><\/td>\n Pentaeritritol triakrilat<\/td>\n 3524-68-3<\/td>\n<\/tr>\n \n GPTA (G3POTA) Monomer<\/a><\/span><\/td>\n GLISERIL PROPOKSI TRIAKRILAT<\/td>\n 52408-84-1<\/td>\n<\/tr>\n \n EO3-TMPTA Monomer<\/a><\/span><\/td>\n Etoksillenmi\u015f trimetilolpropan triakrilat<\/td>\n 28961-43-5<\/td>\n<\/tr>\n \n Fotorezist Monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n IPAMA Monomer<\/a><\/span><\/td>\n 2-izopropil-2-adamantil metakrilat<\/td>\n 297156-50-4<\/td>\n<\/tr>\n \n ECPMA Monomer<\/a><\/span><\/td>\n 1-Etilsiklopentil Metakrilat<\/td>\n 266308-58-1<\/td>\n<\/tr>\n \n ADAMA Monomer<\/a><\/span><\/td>\n 1-Adamantil Metakrilat<\/td>\n 16887-36-8<\/td>\n<\/tr>\n \n Metakrilat monomer<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n \n TBAEMA Monomer<\/a><\/span><\/td>\n 2-(Tert-b\u00fctilamino)etil metakrilat<\/td>\n 3775-90-4<\/td>\n<\/tr>\n \n NBMA Monomer<\/a><\/span><\/td>\n n-B\u00fctil metakrilat<\/td>\n 97-88-1<\/td>\n<\/tr>\n \n MEMA Monomer<\/a><\/span><\/td>\n 2-Metoksietil Metakrilat<\/td>\n 6976-93-8<\/td>\n<\/tr>\n \n i-BMA Monomer<\/a><\/span><\/td>\n \u0130zob\u00fctil metakrilat<\/td>\n 97-86-9<\/td>\n<\/tr>\n \n EHMA Monomer<\/a><\/span><\/td>\n 2-Etilheksil metakrilat<\/td>\n 688-84-6<\/td>\n<\/tr>\n \n EGDMP Monomer<\/a><\/span><\/td>\n Etilen glikol Bis(3-merkaptopropiyonat)<\/td>\n 22504-50-3<\/td>\n<\/tr>\n \n EEMA Monomer<\/a><\/span><\/td>\n 2-etoksietil 2-metilprop-2-enoat<\/td>\n 2370-63-0<\/td>\n<\/tr>\n \n DMAEMA Monomer<\/a><\/span><\/td>\n N,M-Dimetilaminoetil metakrilat<\/td>\n 2867-47-2<\/td>\n<\/tr>\n \n DEAM Monomer<\/a><\/span><\/td>\n Dietilaminoetil metakrilat<\/td>\n 105-16-8<\/td>\n<\/tr>\n \n CHMA Monomer<\/a><\/span><\/td>\n Sikloheksil metakrilat<\/td>\n 101-43-9<\/td>\n<\/tr>\n \n BZMA Monomer<\/a><\/span><\/td>\n Benzil metakrilat<\/td>\n 2495-37-6<\/td>\n<\/tr>\n \n BDDMP Monomer<\/a><\/span><\/td>\n 1,4-B\u00fctandiol Di(3-merkaptopropiyonat)<\/td>\n 92140-97-1<\/td>\n<\/tr>\n \n BDDMA Monomer<\/a><\/span><\/td>\n 1,4-B\u00fctandioldimetakrilat<\/td>\n 2082-81-7<\/td>\n<\/tr>\n \n AMA Monomer<\/a><\/span><\/td>\n Alil metakrilat<\/td>\n 96-05-9<\/td>\n<\/tr>\n \n AAEM Monomer<\/a><\/span><\/td>\n Asetilasetoksietil metakrilat<\/td>\n 21282-97-3<\/td>\n<\/tr>\n \n Akrilatlar Monomer<\/strong><\/td>\n <\/td>\n<\/tr>\n \n IBA Monomer<\/a><\/span><\/td>\n \u0130zob\u00fctil akrilat<\/td>\n 106-63-8<\/td>\n<\/tr>\n \n EMA Monomer<\/a><\/span><\/td>\n Etil metakrilat<\/td>\n 97-63-2<\/td>\n<\/tr>\n \n DMAEA Monomer<\/a><\/span><\/td>\n Dimetilaminoetil akrilat<\/td>\n 2439-35-2<\/td>\n<\/tr>\n \n DEAEA Monomer<\/a><\/span><\/td>\n 2-(dietilamino)etil prop-2-enoat<\/td>\n 2426-54-2<\/td>\n<\/tr>\n \n CHA Monomer<\/a><\/span><\/td>\n sikloheksil prop-2-enoat<\/td>\n 3066-71-5<\/td>\n<\/tr>\n \n BZA Monomer<\/a><\/span><\/td>\n benzil prop-2-enoat<\/td>\n 2495-35-4<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n